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The "Sunny 16 Rule" and Analogue Photography

When I first started photographing, as a teenager in the early 1980's literally everybody used a film camera. All sorts of films, color and black and white could be purchased from convenience stores, drug stores, supermarkets, by mail order, or most likely at one of the ubiquitous One Hour Photo shops. You could get Disc film , 110 , 127 , 120 , 220 , and sheet film locally in San Jose where I grew up, as well as in most any city of a certain size. For those of you just getting in to photography, you might find the notion of metering light for exposure difficult. Your iPhone's camera not only do a great job of metering and exposing, but you also have the advantage of being able to instantly see the results and correct if needed. But in the century plus of history where film was king, there were a lot of tricks folks came up with to make exposure easy. Back in the 1980's there would typically be a small sheet of paper folded up in the film box with a bunch of information

Semi Stand Development in HC-110

The use of Rodinal is most common with Semistand Development. I've been playing with Semistand development on and off for a while with the more common Rodinol. Yesterday I gave HC110 a try. And I liked it. Dilution: (from syrup): 1:120 Temperature: unmeasured Prewash: time unrecorded (maybe 5 minutes) Time: 40 minutes Inversion: first 30 seconds or so, then one more time roughly 20 minutes (half way) into development Equipment used: My old trusty JOBO 4x5 drum, Kodak HC-110 (duh!), Lauder fix, lots of water Film(s): these show only Fomapan (Arista.edu) 4x5 samples, but the exact same shots were done with outdated Agfapan 100, Kodak Plus-X Pan, and Tri-X professional (320) Camera: Toyo (Omega) 45d with Fuji Fujinon 250mm f6.3 and Caltar IIn (Rodenstock Sironar N) 150mm f5.6 Scanner: Epson V700 All in all, I was quite happy with the results. Density of negatives was pretty good. I actually shot two of each motif on four different types of films and processed t